Kenneth Estrada y Santiago is a producing songwriter, musician, and YouTuber, based in Berlin, Germany. In his YouTube channel, SHOEGAZER he reviews effect pedals, teaches guitar chords and interviews weller known bands of the shoegaze scene. He was the frontman of the band Downhill Willows and releases his own albums on Bandcamp.
Start by using a compressor with a fast attack and fast release to quickly clamp down on transients that get too loud. One common trick is to use an 1176 to apply ~3-6 dB of gain reduction at a ratio of 4:1. This is a great way to tame a dynamic vocal performance.
According to the Ed Sullivan website, the popular host struck a handshake deal with Beatles manager Brian Epstein for, rather than a one-time appearance, a three-time opener/closer appearance. This offered exposure to over 23 million American homes on that very first performance, and thus, the ensuing Beatlemania took the United States by storm.
Grants for music education majors
A lot of the time, the student has no particular goal beyond “do this assignment.” So then the critique needs to get creative. I like to ask: If this track is a film or game score, what’s happening in the scene? Students have a lot of implicit knowledge in this area from their own media consumption, so I get wonderfully specific and unexpected answers to this, i.e., “It’s a bar fight in a domed underwater city.” Then we can figure out, how could the track more strongly convey the feeling of a bar fight in a domed underwater city?
With overwhelmingly positive results, we’re happy to share a few testimonials of Soundfly’s Orchestration For Strings course directly from our students.
“Call Out My Name”: Hey-hey, look, it’s another compound meter, with an ultra-slow 45 BPM tempo. By comparison, the slowest tempo we reached in last year’s Chartmania was 57 BPM — also a compound meter. The form here is why they made up the word “formulaic.” Though perhaps the absence of any tricks lays a foundation for Abel Tesfaye to take more liberties with his phrasing, starting his melodies first where you’d expect them, later well before the bar lines dictate, and then after the bar lines for a stumbling, dizzying effect. Watch out in the outro for the strong G♭ in the bass making a good argument for a G♭6 chord. Then again, it may be a first inversion E♭.
Reverbs come in many shapes and sizes, but a good rule of thumb is to use shorter reverbs like rooms and plates for more upbeat songs, and longer reverbs like halls for slower ballads. Most reverbs and delays can be synced to the tempo of the track, allowing you to dial in just the right amount of decay. Try setting the decay time so the effect fades away just before the next phrase begins.
And now to debunk one of the most common misconceptions about drinking water. Did you know that it can take up to four hours for the water you’ve consumed to actually reach your vocal folds?!
There are plenty of ways to have more fun on tour, but these were the first 10 I could think of that don’t cost a ton. Money does not buy fun, but it sure can help — so I tried to list the cheapest tactics. Thanks for reading!
It’s the melodic hook of the song and the real star of this show. At the same time, it follows standard rules for writing a good melody — it has a balance of stepwise motion and leaps, and stays within a comfortable singing range (in this case, less than two octaves). Great bass lines should be singable!
You don’t need a great microphone to sound good. While microphones vary from tens of dollars to tens of thousands of dollars, all of them are completely useless if your recording environment is unsuitable. Go soft or go home (or both!). Soft furnishings are key when it comes to recording voices. Your recording environment is the most important part of any audio content. I spend a lot of time treating badly recorded audio; the better you record at source, the better the audio will sound and the easier it will be to edit.
If a piece of gear isn’t working and there’s no clear path to get it functioning again, it’s already a burden. Repairing gear can be difficult and expensive. If the situation is hopeless you might be better off to cut your losses. Get it fixed or get it out the door!
His campaign seeks funds to create a Scratch Academy in Denver (not to be confused with the Scratch DJ Academy in New York with which Rob Swift is associated) as a result of local funding cuts for music and arts programs in schools recently. Not only is this a touching endeavor, but Jesu also uses his Kickstarter page as a place to post volunteer and freelance opportunities. He knows this campaign will attract attention from lots of people interested in the same things he is.